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Rebecca is a social media contributor at Dragonmount. Subscribe to her channel, Reading the Pattern on YouTube. 
 
The weight of expectations from long-time fans of The Wheel of Time book series going into this season 1 finale episode can’t be overstated. I wouldn’t be surprised to find this episode the most polarizing of the season, depending on how much your metaphorical loins were girded for changes heading into it. Speaking for myself, I was a huge fan of the setup we got in episode 7, “The Dark Along The Ways,” the ending of which had Moiraine heading into the Blight with Rand alone, her Bond to Lan masked. This prepared me for not having the whole group journey to the Eye. Knowing that the unexpected departure of Barney Harris as Mat would necessitate rewrites also prepared me for differences. To be honest, I didn’t have a lot of specific expectations for how the plot of the season-ender would play out. I always felt certain aspects of the ending of The Eye of the World were confusingly written and wouldn’t play well on screen and this was an opportunity to streamline. As it turned out, I was a huge fan of the way one major change in particular played out, and confused by one or two others. But ultimately, the episode needed to provide a satisfying conflict between Light and Shadow, hit some key character moments, and leave us questioning and wanting more. On all of those points it delivered.
 
The cold open had us jumping back 3,000 years to the Age of Legends and the final confrontation between Lews Therin Telamon and Latra Posae Decume, notably portrayed by Alexander Karim and Katie Brayben in the Old Tongue. This is a scene that hinted at but does not explain the full context of this argument. Lews Therin has a plan to cage the Dark One that Latra Posae believes is too risky and arrogant and will not support. Lews Therin is undeterred by her refusal and as he tells his infant child, he means to do what he believes is right to protect them anyway. Following this scene, we know that Lews Therin led his strike with only 99 male Companions, because Latra Posae convinced all the female Aes Sedai to side with her. The Dark One’s counterstroke caused the corruption on the male half of the One Power, which led to the Breaking and why men can no longer channel without eventually succumbing to madness.
 
I believe most of the above can be gleaned from the scene itself and by other information we are given throughout the season, but I am curious to see what the reaction to this scene will be from non-readers. At this point in book history the devastating War of Power had been fought for at least the past 10 years and there was no evidence of that in this scene. Perhaps they are changing this history in order to better show the height of the Age of Legends. That was one aspect of the scene that I did really enjoy seeing, the costume and set choices and the vista outside the window which all perfectly convey a futuristic and timeless quality, and better establish the primary timeline as post-apocalyptic. But perhaps there was a missed opportunity to better convey the stakes and the tension in this conversation between Lews Therin and Latra Posae if they had retained the wartime element.
 
The biggest focus of the episode, rightly so, was Rand and Moiraine in the Blight and at the Eye of the World. Rafe Judkins spoke in an interview with Nerdist about the decision to put Nynaeve and Egwene at Tarwin’s Gap and Perrin and Loial recovering the Horn of Valere, instead of journeying with Rand. Ultimately I liked the decision to have core characters to focus on in each location and to allow for deeper development of Rand and Moiraine particularly with the tighter focus on them. The claustrophobic set choice for the Blight worked well for scenes between two, but if they had journeyed as a group, it likely would not have allowed for scenes such as the one between Lan and Nynaeve before she sends him off into the Blight hoping he will bring Rand back. That scene was everything book fans will have been hoping for, right down to some exact quotes from Lan many of us might have memorized. It’s the culmination of something the show has given us that the book could not, watching the development of Lan and Nynaeve falling in love. But as all season finales should do, it also leaves us wanting more.
 
As for Rand and Moiraine, we got to see some wonderfully subtle character moments from them, such as Rand finding the strength to tell Moiraine to stay behind when they reach the Eye and her disregarding his attempt to protect her. And the reversal of Rand asking for answers Moiraine will not give at the start, to her final question of him, “Where will you go?” And his reply, “Goodbye, Moiraine.” But the heart of it comes in each of their interactions with The Man at the Eye (Fares Fares). One of my favorite decisions in this adaptation thus far is to change Rand’s confrontation at the Eye to one of a psychological and moral struggle, not a battle with the One Power. It ties in perfectly with major themes from the books and ultimately Rand’s decision to leave the vision of the perfect life he dreams of because he recognizes that Egwene would choose differently is a beautiful one.
For Moiraine’s part, she is immediately left with few choices as she is cut off from channeling. The Man taunts her with her lack of knowledge of whether Rand will choose the Light or the Dark, and while she makes clear she is prepared to kill Rand if he does choose the Shadow, the uncertainty she faces brings the tension to a razor’s edge. As the episode goes on the scenes cutting back and forth from one subplot to another get shorter and shorter as the tension increases. Finally, Rand stands between The Man and Moiraine and while it may seem Rand has defeated The Man too easily, we can see a subtle hint of a smile on The Man’s face as the cuendillar seal beneath their feet cracks. Perhaps this has been his plan all along.
 
While I loved the Moiraine and Rand threads in this episode from start to finish, the other threads were more mixed for me. Perrin had a lovely moment with Egwene at the beginning of the episode, offering her unconditional friendship, which I felt was a perfect cap to the threads left hanging off the blowup up between the Two Rivers characters in episode 7. But he did languish a bit in the middle of the episode. Loial got a chance to say the right thing at the right time to Perrin, telling him if he wants to help but doesn’t know how, simply to ask. This leads them to help Uno and his small group of Shienarans recover the Horn of Valere. Unfortunately, Perrin’s hesitation to pick up an axe may have cost some of those men their lives when Padan Fain and two Fades attack and steal the Horn. Fortunately, Rafe Judkins confirmed to Comic Book Resources that we did not see the end of Loial son of Arent son of Halan. I wouldn’t want to see the fan riot if they had killed our beloved Ogier in this way.
Fain’s monologue to Perrin, before he escapes with the Horn (and the Shadar Logoth dagger!) was a fantastic way to finish the main action of the episode. He confirms his own status as a Darkfriend and that the Shadowspawn were not sent to kill the five of them, but to bring them to the Dark One. He believes at least one of them will turn to the Dark, which is said ominously over the only sight of Mat in the episode, a shot of him walking through Tar Valon, looking rougher again and hinting at where things may pick up for him in season 2. It is these words from Fain which finally convince Perrin to pick up that axe and that is a momentous moment for him given the journey he has been on this season.
 
The battle at Tarwin’s Gap had some cool moments, though the combat scenes seem to have suffered slightly due to the reality of Covid-19 restrictions, preventing the use of stunt performers as Trollocs. Instead, CGI was used for the Shadowspawn in these scenes and as a result there was less ability to do shots of close combat, such as we saw in episode 1. The loss of Agelmar was effectively set up by the scene earlier in the episode between him and Lady Amalisa. But it was Amalisa’s role in the battle that packed the most punch. Seeing her ready the women of the city in her father’s armor, and then the beautifully shot scenes of her leading a circle of women and channeling an immense amount of power to destroy the wave of Shadowspawn that broke through the fortress was awesome. We get to really see how dangerous and seductive than much of the Power can be, as she burns out not only herself but two of the other women linked to her.
 
That brings me to the one aspect of this episode I really can’t get behind. Nynaeve and Egwene as part of this circle can feel themselves starting to burn out as well. Nynaeve says a touching goodbye to Egwene as she takes the Power running through Egwene into herself and then it appears Nynaeve is burned out and/or killed as well. Egwene certainly seems to think so, but yet she channels and her weaves Heal Nynaeve. In hindsight it is absolutely clear that Nynaeve never was burned out or dead, only injured, and this much Egwene has managed to Heal. However, the scene was certainly presented in a way to make the audience think Nynaeve was dead or at least burned out and these things Egwene should not be able to Heal. I simply don’t think the fakeout was necessary and it may have cheapened the moment as well, particularly in an episode where we have some other apparent deaths (Loial and Uno) which will turn out not to be fatal.
 
In contrast, I can appreciate the decision made to leave what exactly has happened to Moiraine uncertain. As she tells Lan when he finds her, she can no longer channel. From what we saw The Man do to her and from what we have seen previously of both shielding and severing with Logain, it looks most likely to me that Moiraine has been shielded and the weave was tied off so that its effects continue even though The Man is no longer there to maintain the shield. It is also possible, however, that she has actually been stilled. Either way, there is real heartbreak in the moment when she tells Lan she cannot unmask the Bond and they can no longer feel what the other one feels, on top of Moiraine’s own terrifying loss. I can understand why the show may want to leave this vague for the moment as a hook for next season. Whatever has happened to her will almost certainly inform her plot going forward, and it will be fascinating to see what Moiraine will do when she does not have access to this ability.
 
Finally, we get the ominous epilogue which introduces us to the Seanchan fleet and a somehow even more horrifying than expected glimpse of the damane and sul’dam as they approach the Western shore. Another effective hook for next season. “The Eye of the World” was an episode that made some bold choices in the writing by Rafe Judkins, most of which paid off or we can expect to pay off in next season. The production faced some real challenges in this episode, from the pandemic restrictions to the sudden loss of a core cast member (Barney Harris) necessitating rewrites. Those challenges for director Ciaran Donnelly showed more in this episode than it did the previous one, which I found nearly perfect, but the scope of what he was trying to accomplish in this one was also greater.
 
As hard as it is to finish a season and be left with burning questions that will not be answered for many months, I am glad to be in that position, wondering. Where will Rand go now that he has set off alone, wanting the others to believe him dead? I expect Perrin will be on the hunt for the Horn of Valere but who will join him? How will Mat be woven back into the story? What will Nynaeve and Egwene face in the White Tower? How will Moiraine fare without being able to channel? How will the loss of the Bond and Lan’s feelings for Nynaeve affect his relationship with Moiraine? The beauty of this adaptation so far is that even book readers don’t know exactly. Mystery and speculation have always been and will continue to be major draws that keep fans hooked on the series. I can’t wait to see what this team can do as they get deeper into the book material. Bring on season 2!
  • Teaser Paragraph:

    Rebecca takes a look at The Wheel of Time season 1 finale.

Reading the Pattern
Today, Rafe Judkins—the showrunner for Amazon Prime Video’s Wheel of Time television show—and Ȧlvaro Morte—who plays Logain Ablar in the show—participated in a Q&A session on Instagram.  Topics ranged from casting choices to bonus content, and everywhere in between.  Here are a few questions and answers:
 

Question: Has season 1 performed as you expected? Any thoughts on viewers’ feedback?
Answer: When we started out, we knew the show had to appeal to a huge audience in order to justify its existence. So we always imagined that we’d likely lose absolute hardcore book fans who’ve read the series multiple times because the show would be too different from the books. And conversely, that we’d lose people who’ve never watched a fantasy show before because it’s too much like the books (which are very high fantasy). The target was always more people who read some or all of Wheel years ago or are fantasy/genre fans but not familiar with Wheel. Which is a huge breadth of people. The shocking thing to me has been how many really really Sarah Nakamura-level hardcore book fans have loved the show despite the departures and how many people who’ve never watched a fantasy show before in their lives are somehow finding their way to this one and loving it too!  -Rafe
 

Question: Rafe – any plans to continue or even expand on the animated origin stories? They r AMAZING
Answer: We are actually talking with Amazon now about a way to make these even bigger and better in S2. Rammy Park, Mike Weber and the Amazon X-Ray team have been incredible in putting them together and I want MORE.  -Rafe
 

Question: When will we see Logain again?
Answer: Sooner than you expect but later than you wish.  -Rafe
 

Question: How many seasons ahead are you thinking when making decisions?
Answer: All of them.  Have to be.  There’s lots of stuff that we’ve set up in Season One that are changes from the books that we needed to make for later payoffs.  -Rafe
 

Question: What drew you to playing Logain? Are you excited for his later character development?
Answer: Logain is an amazing character. He is full of possibilities in terms of acting. It’s a gift for an actor to get the chance to perform a character like Logain and follow his development.  -Ȧlvaro
 
You can read the entire Q&A here.  As a Logain fangirl, I'm very excited that he'll be back sooner than expected!
 
Make sure to keep up to date on all the details of each episode on Dragonmount’s Season 1 episode guide, join the TV show discussion on our forums, or follow us on social media: Facebook, Twitter, Instagram, TikTok, and Youtube.
 
What are your thoughts going into the Season 1 finale and your hopes Season 2?  Let us know in the comment below.
  • Teaser Paragraph:

    Today, Rafe Judkins—the showrunner for Amazon Prime Video’s Wheel of Time television show—and Ȧlvaro Morte—the actor who plays Logain Ablar in the show—participated in a Q&A session on Instagram.  Topics ranged from casting choices to bonus content, and everywhere in between. 

Mashiara Sedai
Adam Whitehead is Dragonmount's TV blogger. Adam has been writing about film and television, The Wheel of Time, and other genre fiction for over fifteen years, and was a finalist for the Hugo Award for Best Fan Writer in 2020. Be sure to check out his websites, The Wertzone and Atlas of Ice and Fire (including The Wheel of Time Atlas!) as well as his Patreon.
 
We said previously that it’s a hit, but it’s turned out to be an even bigger hit then we thought: The Wheel of Time has had the biggest and most successful launch of any original show in the history of Amazon Prime Video.
 
That’s a pretty big deal. Previously Amazon had only committed to saying that Wheel of Time had the biggest launch of any original show in 2021. That puts Wheel of Time ahead of big shows like Invincible and Clarkson’s Farm. However, the new information now means that Wheel of Time has had a bigger and more successful launch than shows like The Expanse, The Marvelous Mrs. Maisel, The Grand Tour, The Man in the High Castle, Carnival Row, Bosch, Tom Clancy’s Jack Ryan and their previous biggest hit, The Boys.
 
The news will be welcome to Amazon Prime Video and Sony Television, who took something of a gamble on greenlighting the show with a budget of over $10 million per episode and filming on multiple locations across Europe, based on a series of fifteen novels that have sold around 90 million copies and have passionate fans around the world, but were perhaps not household names. Unlike the previous fantasy megahit, Game of Thrones, which based its initial appeal on little to no magic, no supernatural creatures and a focus on sex and politics, The Wheel of Time is unashamedly a broad, epic fantasy with vast displays of sorcery, a nonhuman creature as a regular character and an up-front commitment to showing epic battles in challenging locations.
 
It also bodes well for Amazon's commitment to genre programming. Although The Expanse is wrapping up after three seasons on the streamer, Carnival Row is due to launch its second season next year and The Boys its third. More germanely, Amazon is also planning to launch its Lord of the Rings prequel series, about the Second Age of Middle-earth, on 2 September 2022. With a budget conservatively estimated at three times that of Wheel of Time (and possibly a lot more), there's a huge amount riding on that project. Wheel of Time getting more people watching Amazon Prime's video channel can only be a good thing for that project and for the other SFF shows they have in development, including an ambitious Mass Effect TV series, based on the video game series. If Amazon are considering any other fantasy projects – they recently dropped a Conan the Barbarian project which has since been swept up by Netflix – this may encourage them to commit to them further.
 
The Wheel of Time has already been renewed for a second season, which is now more than halfway through shooting in the Czech Republic, although contrary to some reports it has not yet been renewed for a third. With this news, a third season renewal and hopefully more beyond now seems much more likely.
 
The final episode of the first season, The Eye of the World, will drop this coming Friday. Season 2 of The Wheel of Time is expected to air in late 2022.
 
 
As usual, please continue to follow developments on our casting and news pages and the forum and stay tuned for more info as we get it.
  • Teaser Paragraph:

    We said previously that it’s a hit, but it’s turned out to be an even bigger hit then we thought: The Wheel of Time has had the biggest and most successful launch of any original show in the history of Amazon Prime Video.

Werthead
Katy is a news contributor for Dragonmount. You can follow her as she shares her thoughts on The Wheel of Time TV Show on Instagram and Twitter @KatySedai
 
The penultimate episode of The Wheel of Time television series, The Dark Along the Ways, begins with a cold open that pushes the previous episodes aside. Snow and Blood - a fight scene unlike any we’ve seen so far this season - a lone Aiel Maiden of the Spear, in labor, fighting off soldier after soldier.  
 
Episode seven is the first episode made after the “Covid break” in production due to the global pandemic. And rather than diminish the quality of the TV show, if anything, the break amplifies the show, raising production quality, the story, and the acting. 
 
This first scene exemplifies the improvement. The directing from Ciaran Donnelly is amazing, and I hope to see more fight scenes in this style in the future from the show. Stuntwoman Magdalena Sittova, who plays Tigraine Mantear, was incredible, her athleticism shone and the relief on her character's face when Tam reaches out to help her birth her baby absolutely broke my heart. Many fans will be happy to see such an epic depiction of the blood snow since it’s such an iconic scene from the books.
 
After the cliffhanger with a sword to Tigraine’s throat, we move back to our main storyline and the Ways. This was another iconic space that many book fans were looking forward to. As part of the time gap due to the pandemic, they also had time for rewrites. Barney Harris’ Mat Cauthon doesn’t appear in this episode at all, so it does seem we won’t see Mat until season two when Dónal Finn will reprise the role of Mat. It’s a disappointment they had to write Mat out of the story, but the break gave the writers time to edit. “We didn’t leave him, he left us” says Egwene about Mat, but I wonder if that also applies to Barney. 
 
The Ways sequence felt fairly short, and the addition of ramps might have added to the 3D space they occupy. The show introduces a new interpretation of Machin Shin. One that literally speaks to your deepest fears and insecurities. The repercussions of Machin Shin’s whispers were felt throughout this episode. Making the Black Wind personal rather than generically creepy and blood thirsty was a great change, and just another way the book material can be improved moving to a new medium. The added peril of Machin Shin gave the group a reason to go to the borderland city of Fal Dara and not straight to the Eye.
 
Our team of weary adventurers then arrive in the fortress city of Fal Dara where we meet some beloved book characters, including Lord Agelmar (played by Thomas Chaanhing), and fan favorite, Uno Nomesta (played by the Guy Roberts, the wonderful flaming bastard). One change I’m uncertain about is the animosity between Moiraine and Lord Angelmar. But like most changes, the conflict needs a bit of time to develop and see where it goes. It’s hard to judge changes on just one scene. 
 
The sets of Fal Dara are rich and detailed. You can clearly see that the style is different from Tar Valon. This is the look at a new country, and down to the designs in the windows, there’s a new style and geometric angularity. Fal Dara looks like a real fortress city. 
 
Moiraine next takes her band of Two-Rivers folks to see Min Farshaw, Seer and bartender, hoping to determine if any of them are the Dragon. Min has visions for all five of them: Perrin with goldeneyes and blood down his chin, Rand rocking a dark haired baby, a white flame and golden ring for Egwene and Nynaeve, and finally, The Amyrlin Seat in full regalia that will be Moiraine’s downfall. In the books Min’s visions are glimpses of the future that foreshadow certain events, but not always in the way you’d think. It seems the TV show is going for the same feeling here. Book readers may think we know what these all mean, but is what we see really the way it will play out? Kae Alexander plays Min a little tougher, a little more world-weary than the Min in the books. It seems like Min has a job and is running a successful bar. It will make her future decisions hold more weight since she has independence and a life here in Fal Dara. It was never clear to me what exactly she was doing in the Inn in Baerlon. She felt too vulnerable to being swept up in the Ta’verens’ wake. Now perhaps she will have to make a more conscious decision to leave her life. 
 
Let’s now talk about maybe my least favorite part of the story yet. The Perrin-Egwene-Rand love triangle. This bit felt lazy and unnecessary. There’s a need for conflict among the Two-Rivers folks, but this really felt contrived for TV, and I honestly hate it. There’s enough love triangles in the future that we don’t really need Perrin getting involved here. A bit of this may be leftover effects from the Black Wind, but I still don’t like it. 
 
Romance I do like - Lan and Nynaeve!! There was a part of me that was hoping for some of the lines we see at the end of The Eye of the World. But the scene of them having dinner with Lan’s friends was lovely. The TV show is actually developing this romance, rather than just randomly having them declare their love (ahem, EOTW). The show has really outlined what draws these two characters together: their dedication to the people they love, their protectiveness, and their drive for others. The relationship is very believable and real. 
 
As a book reader, I was hoping to see the romantic relationships improved in the show. Many of the relationships happen in the books with little to no warning, and people fall in love at first sight. Robert Jordan does a good job developing believable platonic relationships, but his romances generally fall short. It’s nice to see the show take the nuggets from the books and expand them into full fledged relationships. 
 
The show is also doing this with Egwene and Rand’s relationship. They are coming to the same conclusions they do in the books, that they likely can’t be together the way they want. But they actually talk to each other. There’s little lines of dialog that makes it feel real - Rand saying to Egwene that he knows she’ll come to him when she’s ready to talk. Which is exactly what she did. They really do know each other and have an established relationship. Thankfully they also shut down the Perrin love triangle pretty fast. 
 
About this point I was starting to get worried about the pacing of the episode. It felt almost too much like the previous one, where the characters were gearing up to go on a journey, this time through the Blight instead of through the Ways. I was hoping for an epic battle since it’s been a couple episodes since we’ve had anything like that. 
 
Instead, we finally have our big emotional reveal - Rand is the Dragon Reborn, and he cannot let his friends go to the Eye of the World to their deaths when he can prevent it. Rand is not happy to be the Dragon Reborn, to be a channeler. It’s so true to Rand’s character that he faces his deepest fear to protect his friends.
 
The audience finally gets Rand’s points of view from the few times he channels. We get a fantastic scene with Rand and Min sharing a drink, and see the rest of the Blood Snow play out. They include a small change when Tam helps the Tigraine give birth, and he gives her that little bit of comfort in such a dramatic and traumatic moment. Michael McElhatton’s de-aging wasn’t my favorite make-up look. But other than that, this scene hit all the right emotional buttons. 
 
Josha Stradowski has done a phenomenal job as Rand. His acting has pulled in both the sheepherder innocence and the terror at being the Dragon Reborn. In his emotional journey from Min’s bar, to firing the arrows, to Moiraine’s door, you can see his resolution to do what needs to be done. Rand al’Thor through and through. 
 
This episode really hit a lot of the marks for me, and it might even replace episode 4 as my favorite episode of the series. The pause in production actually created a better quality show, from VFX, to the acting performances, to the sets. This episode was just epic!
 
There’s just one episode left of the first season of The Wheel of Time. The past month has been such a fun experience as a Wheel of Time fan. We’ve gotten a chance to see the world of the Wheel of Time expand in new and exciting ways. There are now visuals plus the incredible music from Lorne Balfe that adds context and depth to the story we love.
 
I’m sorry this season will come to an end so soon, but I can’t wait to see the conclusion next week! 
 
What did you think of this week’s episode? Let us know in our forums or in the comments below.

 
  • Teaser Paragraph:

    Katy gives a full-spoiler review of Amazon Prime Video's The Wheel of Time television series, Season 1, Episode 7, “The Dark Along the Ways.”


     

Katy Sedai
Adam Whitehead is Dragonmount's TV blogger. Adam has been writing about film and television, The Wheel of Time, and other genre fiction for over fifteen years, and was a finalist for the Hugo Award for Best Fan Writer in 2020. Be sure to check out his websites, The Wertzone and Atlas of Ice and Fire (including The Wheel of Time Atlas!) as well as his Patreon.
 
As discussed previously, it’s been known for some time that the role of Mat Cauthon had been recast for the Wheel of Time TV show. Actor Barney Harris played the role in six episodes of the first season before departing, and actor Dónal Finn has been hired to replace him for the second season.
 
The reasons for Barney’s departure have not been given, and given that NDAs and legal agreements are presumably in place, are not likely to be revealed in the near future. As such, we should note in discussing this topic that no negative connotations to the situation should be implied. What is interesting is how the show had to adapt on the fly to the news.
 
To recap, the first season of The Wheel of Time started shooting on 19 November 2019. On 15 March 2020, production of the first season was halted during the initial stages of the COVID19 pandemic. Fortuitously, 15 March was the Sunday at the end of the third block of shooting, with filming concluded for the bulk of Episodes 1-6. The only material missing from these episodes was pickup shots in Spain, for the scenes of Logain in Ghealdan at the start of Episode 4. This allowed the post-production team to put together edits of the first six episodes and for the vfx team to get to work on them.
 
Filming resumed on the final block of shooting, comprising Episodes 7 and 8, in early September 2020. Most of the material for those two episodes was shot before filming was suspended a second time in early November 2020, due to a huge outbreak of coronavirus in the Czech Republic. The pickup shots in Spain were able to go ahead, as Spain was handling the pandemic better at that point in time. Shooting for the outstanding material resumed in April 2021 and wrapped on or around Friday 14 May 2021. Filming on Season 2 began two months later, on 19 July. Amazon confirmed the recasting of Mat on 21 September.
 
Based on what happened in Episode 6, The Flame of Tar Valon, it now appears that Barney Harris did not return to the role of Mat Cauthon after the initial COVID outbreak and resulting shutdown in March-September 2020. This left the production in a somewhat awkward place, as they did not want to necessarily recast Mat immediately (going from one actor playing Mat in Episodes 1-6 and a different one in Episodes 7-8 would be jarring, at best) but they had to find a way of removing Mat from the narrative in a way that made sense and did not involve any new filming with Harris, who presumably was not available at all.
 
I strongly suspect that in the initial shoot, Mat entered the Ways with the rest of the characters and the episode ended perhaps on a foreboding note with the Waygate closing behind them. This left the writers with a difficult job of trying to explain Mat’s absence. Opening Episode 7, The Dark Along the Ways, ten minutes later with the characters saying, “I can’t believe we somehow lost Mat. Weird, huh? Anyway, let’s move on,” was clearly unappealing, and the cost of producing a CG replica of Barney Harris to walk along with the team before being written out was likely regarded as massively cost-prohibitive, not to mention weird.
 
The best option, or at least the best of a poor choice of options, was to remove Mat using the footage they already had in the can, and the fact that although they could not shoot new Mat material, they could shoot new reaction shots from the other actors.
 
Amazon, it turns out, had form for this kind of on-the-fly adaptation. Cas Anvar played the character of Alex Kamal on the first five seasons of The Expanse, but after work on Season 5 was completed but before it aired, allegations of improper conduct surfaced against Anvar (we note, again, that no information has been given about why Harris was replaced and it should not be suggested this was down to any kind of improper behaviour to our knowledge). Anvar was removed from the cast and the production team were left with how to handle this in the edit. The solution they chose was that ace pilot Alex should die from a brain haemorrhage brought about by high-gravity spacecraft manoeuvres, an ongoing and frequently-mentioned risk in the setting. Fortunately, this was even discussed in material filmed for the Season 5 finale, which they could re-emphasise in the edit. They had Alex die off-camera between shots, and then froze a shot of Alex in the cockpit, making it look like he’d expired, and added some CG blood floating in the air to sell the illusion.
 
Also fortunately, the team were shooting the start of Season 6 a week before Season 5 aired. This allowed them to re-shoot material from the end of the Season 5 finale to reflect on the character’s death. The only major technical obstacle was that Alex was present at a reception scene following his character’s newly-created death, which required the CG team to paint him out of every shot after the editors re-edited the sequence to use angles and shots avoiding his presence wherever possible. Although slightly awkward, the edit was broadly successful.
 
For The Wheel of Time, a similar process seems to have been followed. The original material for the episode included lines of Mat being reluctant to enter the Ways, presumably just as character banter before being encouraged to join the rest of the team. By focusing on this line more than was originally intended, the editors could make it appear that this was Mat genuinely feeling unable to carry on with the mission. The shots of the other characters entering the Ways and then reacting to Mat staying behind were likely re-filmed when shooting on Episode 7 resumed, and dropped into the end of Episode 6. Different shots of Mat outside the Ways were then used and dropped into the back of the shot to show him staying back as everyone else entered the Waygate.
 
It is, unavoidably, an awkward change to Mat’s story, although it is helped by the fact that Mat is not thinking clearly due to his association with the cursed dagger from Shadar Logoth. How well the recasting is handled will depend on the other characters' reactions to Mat’s departure in the next two episodes, and how his return in early Season 2 is handled. It is a good reminder that shooting a TV show is an uncertain business, and creatively responding to unforeseen events is a key part of the job of the production team.
 
EDIT: I've seen unpleasant rumours spreading that Barney Harris did not return to the project due to allegedly not being in favour of COVID vaccinations, which were required for filming to resume. This story is false and malicious. Production on The Wheel of Time resumed in September 2020, three months before the first COVID vaccines were available in the UK and EU and more like seven or eight months before they were readily available to people in their 20s. To our knowledge, Harris did not return to the shoot in September 2020 when the vaccines were still unavailable and nobody was vaccinated. Whatever his reason for not returning, it was completely unrelated to vaccinations.
 
As usual, please continue to follow developments on our casting and news pages and the forum and stay tuned for more info as we get it.
  • Teaser Paragraph:

    Barney Harris has left the role of Mat Cauthon following the sixth episode of The Wheel of Time. How was the transition handled?

Werthead
I know many avid book readers do not share my opinion, but nothing has thrilled me more about this adaptation of The Wheel of Time by Amazon Prime Video than the changes. It is a chance for me to experience a thrill again related to the world Robert Jordan created. When he died, and then again when the series was finished, I curled myself up with Crossroads of Twilight, my favorite of the series (don’t at me), and cried. I cried because there would never be new words to sweep me away into the world I had grown to love. Now, thanks to Rafe Judkins and his entire time I am being allowed to fall back into the world over again. Even if every change is not one that I would choose, I am fully enchanted by this turning of the Wheel.  
 
Siuan Sanche (Sophie Okonedo), the Watcher of the Seals, the Flame of Tar Valon, the Amyrlin Seat, daughter of the river, clever as a pike, and strong as the tides, shows us her tenacity and fortitude in Episode 6. We are introduced to her humble beginnings, which makes the power she grows to possess so delightfully shocking. After being shown her life as the fish mongers’ daughter, them living alone on the banks of the river, that they fish every day. All within site of the Stone of Tear.  I feel as if I have more insight into her needs for a companion, a confidant, and lover. Her life appeared to have always been more solitary, a great preparation for a position of power that leaves you completely alone and from a young age she had to keep the secret of her ability to channel. Yet another great preparation for the life she would live training to be an Aes Sedai, in a place where it is well known each woman who calls herself Aes Sedai has her own ideals and goals. Lastly, the loss she suffered at having to leave her father and her only home, created within her a space for Moiraine. Greif and loss tend to make people love more fiercely and tie the bonds you have found in your life even tighter. 
 
Siuan and Moiraine grew up together, ensconced in the Tower politics, as Novices and Accepted. Readers of the novels will know that Siuan and Moiraine’s romantic relationship is more than implied. I believe what we are seeing is two woman who were brought together by an innate shared ability, bound together by their quest to find and guide the Dragon Reborn and sewn together as lovers by the very human need to find someone to share your life. Who better for an Aes Sedai than someone of nearly equal power with whom who share a secret that could destroy the entire world? I am interested to see the ripple effect that their relationship has on the rest of the series. 
 
One of the major changes of these series that has absolutely delighted me is the expansion of Logain’s (Alvaro Morte) storyline and the changes to Liandrin Sedai (Kate Fleetwood). I need more of Liandrin’s pursed lips and haughty stare in my life. I love to loathe her every time she is on screen. Kate Fleetwood and Abdul Salis who played Eamon Valda are tied in my mind for favorite “bad guy” so far in the series. Kate may not look like I had imagined Liandrin in my mind, but she nails her demeanor and adds a depth to the character that was somewhat lacking in the books. I am here for ALL of her evil moments. Based on off handed comments it is clear that Liandrin and Moiraine have a history together. I hope as the see their past continue to unfold. My mind is wondering about jilted lovers? Though Moiraine mentions a man that Liandrin is seeing, so my feelings could be off. 
 
I enjoyed a deeper look inside the politics of the Tower. They used the Sitter Maigan to explain what it meant for a Green and Blue Ajah to speak up in favor of a Red in the Hall of the Tower. Outlining the divides that exist within the White Tower among the women who call themselves sisters. Tar Valon was looked on as a place of safety for the folks from the Two Rivers, but this episode makes it abundantly clear that they are not much safer. The danger has only shifted from Trollocs to women that channel who would use them for their own gain, or harm them for simply being who they were born to be. 
 
Which brings me to an interesting revelation. The possibility of a many headed Dragon. The idea that not just one man or one woman was born to save or destroy the world. As we learn from Siuan and Moiraine’s post coital discussion, “The Dragon will defeat the Dark One or join him.” The fear at the Dragon’s power suddenly hit home when you realize that he, she or possibly they chance joining the wrong side of history. I think it makes the importance of Moiraine’s mission more apparent. We still have not heard the full prophecies of the Dragon, but we know that the Dragon must defeat the Dark One at the Last Battle to save the world. 
 
This episode brings to us the reunion of the Two Rivers folk, who have been separated since they fled Shadar Logoth. The joy of their reunion is short lived as they are faced with a trip through the Ways to reach the Eye of the World. Their mission once they arrive is vague at best and none of their lives are guaranteed. Siuan and Moiraine seem to believe that the Dragon’s presence at the Eye of the World could circumvent the last battle and prevent the Dark One’s escape. The notion seems slightly foolish for two women who have read and studied the prophies and have been engaged in a singular hunt for the Dragon for two decades. With Moiraine certain that one of the youths she brought from the Two Rivers is the one they have sought, it feels as if they are giving in to fear and the unknown. They risk being stilled, cut off from the One Power, and perhaps death. 
 
Watching the series with people who do not know the Wheel of Time, I feel as if this episode is somewhat dialogue heavy and yet fails to give full explanation of what the travelers will face and their purpose. The Ways are a place outside of time and space. They can allow people to travel quickly between one waygate and another in a much shorter amount of time if they know the correct path. It is for this reason that Moiraine needs Loial. The Ogier can read the guideposts in the Ways. In spite of the highly amusing conversation that Egwene and Nynaeve have with Siuan, the Two Rivers five are once again swept off on a journey of unknown outcome with nothing more than a few words to convince them. They travel on the faith of the words of Aes Sedai, for whom the truth you hear is not always the truth they mean. We are led to believe that the prophesies surrounding the Last Battle are so widely known that even their mere mention is enough to sway the lives of Rand, Mat, Perrin, Nynaeve and Egwene. Though as the closing moments of this episode reveal, Mat’s mind was not so easily swayed. It was an interesting way to handle Barney Harris’ departure from the series; a fact that was widely known before the first season aired. 
 
With only two more episodes remaining this season, The Flame of Tar Valon, serves to propel our cast of characters forward into the unknown and a presumed confrontation with who or what waits for them at the Eye of the World. I can only assume we are being set up for a reveal of the Dragon Reborn and a cliffhanger that is meant to draw us forward into season two. There are still a few questions that I hope are answered this season. What is Liandrin’s true purpose? Is Thom Merrilin dead? And what does it mean that Moiraine swore fealty to Siuan on the Oath Rod? With all the changes to the story thus far, I have a feeling that the answers to some of my questions may surprise me. In fact, I hope that they do. For someone who cried as the book series drew to an end, I am enjoying every minute of this retelling.   
 
What was your favorite moment of Episode 6? Let us know in the comments below.
  • Teaser Paragraph:

    Crystal Fritz reviews "The Flame of Tar Valon," Season 1, Episode 6 of Amazon Prime Video's The Wheel of Time television series.

Eqwina
Amazon Prime Video's The Wheel of Time announced five new actors joining the cast for season 2. We have new faces for characters from the borderland country of Shienar. These characters appear at the end of The Eye of The World and in The Great Hunt. We most likely will see them at the end of season one  and for sure in season two.
 
Thomas Chaanhing is Lord Agelmar
 

 
 
 
Sandra Yi Sencindiver is Lady Amalisa
 

 
 
 
Guy Roberts is Uno Nomesta
 

 
 
 
Arnas Fedaravicius is Masema Dagar 
 

 
 
 
Gregg Chilingirian is Ingtar Shinowa
 

 
 
 
Welcome all to the Wheel of Time family! Can’t wait to see all these incredible actors in their roles.
 
Who are you most excited to see? Let us know in the comments and be sure to join the discussion on our forums.  And be sure to check our TV section of the website. 
 
  • Teaser Paragraph:

    The Wheel of Time TV show on Amazon Prime has some exciting casting announcements today.

Katy Sedai
Rajiv Moté is Dragonmount’s book blogger with a lens on the craft of fiction writing. When he’s not directing software engineers, he writes fiction of his own, which can be found catalogued on his website.
 
Do you love Stepin, the affable, dual axe-wielding Warder of Kerene Sedai, whose easy charm brings smiles around the campfire and who did not appear in any of the books? If you do, I have good news and bad news. If you don’t love Stepin, the news is mostly bad: episode 5, “Blood Calls Blood,” centers around him. And if you love him, well, this episode chronicles his terminal decline and demise. It’s all to a purpose: it shows us that the bond between Warder and Aes Sedai is bone-deep, emotional, and carries consequences. When an Aes Sedai dies, it is as if her Warder “swallows her death.” He falls into a depression. He loses the will to live. These are the stakes of a Warder bond. I sure hope that doesn’t ever happen to someone we know. 
 

 
Alanna the Green Aes Sedai plans to bond Stepin herself, as a way of saving his life. Moiraine mentions that she thinks it’s possible to release a Warder from his bond. A little world-building, a little foreshadowing. But alas, Stepin is a clever man. He gets a sleeping powder from Nynaeve, uses it on Lan, and takes the unsupervised moment to commit suicide before the doors of the Hall of the Tower. The Warders hold a throat-singing, chest-thumping funeral, and open, naked grief throws Lan off beat with the thumping. The pain he feels is mirrored in Moiraine’s eyes. The bond cuts both ways.
 
Daniel Henney is an empathetic, emotive version of Lan Mandragoran, not the stone-faced Warder of the books. It works because Henney’s charisma is of a warmer, emotionally wider sort. It’s easy for audiences to take to him, and to understand why certain characters might do so too. It also works because The Wheel of Time of showrunner Rafe Judkins is deliberately redefining the masculinity of Robert Jordan’s vision. Where the latter’s conception of masculinity was stoic, consumed with duty, and honor-bound, the show imagines men with the emotional room to fret over a daughter’s initiation, pine over a girlfriend growing more distant, and insist on the creature comforts of a hot bath. These men talk to each other about their feelings, swap personal stories, and stay up all night together when one is feeling sad.
 
Stepin’s tale is a valuable foundation for what may occur later, and Stepin’s history and the camaraderie of the Warders is touching, but this episode feels like a digression. Especially since our protagonists--the scattered Two Rivers folk--are a hair’s breadth from a reunion in Tar Valon. We started the journey because one of them is the Dragon Reborn, hunted by the forces of the Dark One, and requiring the protection of the White Tower. The only trouble is, the White Tower doesn’t seem to be in on the plan, because Moiraine keeps secrets.
 
Nynaeve is already in the White Tower, hidden away in the Warders quarters by Moiraine to “protect” her from the Red Aes Sedai, Liandrin. We’re given our first look at Aes Sedai politics: when a promising potential student shows up, she is noticed by all, and the Ajahs compete to lure her to their team. Moiraine warns Nynaeve, now that she’s seen how great she is in comparison to those she loves, she will never be the same. That deserved a braid-tug--Nynaeve knows who she is. For her part, Nynaeve has fulfilled her end of her knifepoint bargain with Lan. She kept Moiraine alive, and now she wants assurances that Moiraine will bring the Two Rivers folks to her as soon as her eyes-and-ears locate them. The promise Moiraine gives is not necessarily the promise Nynaeve hears, but Nynaeve isn’t the trusting sort--and Liandrin is happy to drive a wedge into that crack. Unfortunately for Moiraine, all Liandrin has to do is suggest Nynaeve go for a stroll in the Tower garden.
 
Mat and Rand arrive in Tar Valon, and Rand seems to recognize Dragonmount. Impossible--he has lived all his life in the Two Rivers. He must be thinking of another volcano. In a shock to book readers, Mat thinks they should go straight to the White Tower. But Thom the gleeman had given Rand the name of a trusted inn where they can rest and refresh. (In the world of The Wheel of Time, lying on your bed with your boots on is not just for oafs like Mat--Moiraine does it in this episode, too.) Mat has become dark and troubled in the month since fleeing Shadar Logoth. He snaps at children. He’s sullen and pessimistic. He wonders if he, not the Fade, killed the Grinwell family. He thinks he’s going mad, and he’s terrified of what that could mean. When he and Rand sit on the balcony to watch the Aes Sedai parade the caged, defeated false Dragon Logain into the White Tower, Mat imagines (?) Logain seeing him and laughing wildly. Madly. Does the false Dragon recognize the real Dragon? Or is this a part of the paranoid madness Mat feels seeping into him?
 

 
Meanwhile, Rand is bored with Mat’s moping (and apparently incurious about seeing the peddler Padan Fain having a drink in Tar Valon) so he browses books in the library, like the Karaethon Cycle--the Prophecies of the Dragon. There, he meets a new friend, who isn’t put off in the least by Rand’s rudeness. Enter Loial the Ogier--big as a Trolloc, but much more chill. The show has rendered the Ogier with practical effects, and at first, Loial looks like an actor in a costume. My suspension of disbelief kicked in quickly, though, and he became the Ogier--a little less naive, a little more sure than his book counterpart, but still a gentle giant with good manners. Except, of course, when he tells Rand with absolute certainty that his red hair makes him an “Aielman.” At least Thom was discreet about that. I mean, have you seen the royal house of Andor? (No, we have not. In this adaptation, we skipped Caemlyn for Tar Valon.)
 
Loial’s access to the White Tower grounds, the apparent rarity of braided women, and Liandrin’s seemingly innocuous suggestion to Nynaeve, reunites three of the Two Rivers folk. It becomes immediately clear that Mat is going through something bad when he lashes out at Nynaeve. That, and the dark whispers. Logain was beset by voices, but we heard dark whispering in Shadar Logoth too. Rand and Nynaeve worry about Mat, but they worry about Perrin and Egwene, too. Nynaeve tells Rand a story about how Egwene survived (mysteriously) a childhood infection of the deadly breakbone fever. “Egwene is many things, but above all else, she is unbreakable.”
 
This is fortunate. Despite the Tinkers’ non-violent attempts to prevent the brutal Whitecloaks from taking Egwene and Perrin, the two end up prisoners of the gleefully villainous Questioner, Child Valda. Ever the gourmet and gourmand, Valda enjoys roast suckling pig as he sets up a deadly dilemma. If Egwene channels the One Power, Valda will kill her and release Perrin. Otherwise, Valda will flay Perrin and release Egwene.
 

 
Perrin wants to die. As wolves begin to howl outside, he admits to Egwene that yes, he was directly responsible for his wife Laila’s death. Under Valda’s knife, Perrin’s eyes turn golden. Like a wolf’s. But Egwene won’t allow it. She tosses a feeble fireball at Valda, but manages to singe Perrin’s bonds enough for the big man to snap the ropes and break free.
 
There are so many ways this scene could have played. Perrin could have gone berserk, like during the Trolloc attack. He could have crouched on all fours and leaped like an animal at Valda. Hell, he could have wolfed out like Michael Jackson in “Thriller.” But instead he only groaned like Frankenstein’s monster and shambled forward--slowly. Valda, who has faced Aes Sedai and was just channeled at, can only stand paralyzed, and gasp “What are you?” Fortunately, Egwene knifes him in the back, ending the whole embarrassing scene. Outside the tent, wolves are savaging the Whitecloaks and Egwene and Perrin slip away.
 
“Blood Calls Blood” slows down the breathless pace of the first four episodes. Our heroes have fled the Trollocs, survived the dangers of the ruins, wilderness, and the road, and reassembled in Tar Valon. Along the way, Egwene has learned to channel unaided, Nynaeve has lit a beacon fire to her potential power, Perrin has gained the protection of wolves, Mat has found a dagger and started hearing voices, and Rand has discovered a talent for breaking down doors. The plan was to assemble in Tar Valon under the protection of the Aes Sedai sisterhood. That accomplished, the question becomes “now what?” Tar Valon has provided no answers yet. It’s clear that outside of Moiraine and Lan, nobody of the Tower knows about the Dragon Reborn. But the Amyrlin Seat, the leader of the Aes Sedai,  is coming, and presumably she’ll know what to do next. Until then, all we can do is put up our booted feet on the bed and wait.
  • Teaser Paragraph:

    Episode 5 of The Wheel of Time gives us the sad story of Stepin the Warder while the Two Rivers folk saunter toward a reunion in Tar Valon. SPOILERS through S1E5.

MahaRaj
Episode 4 of Amazon Prime Video’s The Wheel of Time television show is aptly named “The Dragon Reborn.”  When the episode titles were announced, I was convinced showrunner Rafe Judkins was racing through The Eye of the World with the first four episodes and wrapping up The Great Hunt with the last four. I am glad my hypothesis was so far from what Judkins delivered.
 
“The Dragon Reborn” begins with a flashback of Logain Ablar, the self-proclaimed Dragon Reborn, as he ravages the king’s palace in Ghealdan. I love the first view we get of Logain as he comes into focus—similar to Moiraine’s introduction in the first episode.  Logain’s calm and collected, very much in control of the situation.  When the king’s guards attack, we see him channel.  Unlike Moiraine’s wispy flows of the One Power, Logain’s are laced with black.  The show names this the “corruption” of the Dark One rather than the taint, but it is very clearly shown as something sinister and evil.  The sad thing is Logain can’t seem to understand that. The corruption in his weaves take forms and speak to him, tempting him to kill the king.  The madness doesn’t have him so far in its grasp, though, because Logain convinces the king to join his side.
 
While we know of Logain in book one of the series, it’s incredibly satisfying to see it unfold this early in the television show.  I was expecting Logain to be our main antagonist of Season 1, seeing the Aes Sedai fighting him, viewers wondering if he could be the Dragon.  I feel this could have made some interesting and conflicting emotions when we get to the inevitable gentling and Nynaeve’s accidental Healing.  This is a man we battled for eight episodes and suddenly he’s a threat again!  Once again, the show handled this in a way that was far superior.  Logain’s triumph at the beginning of the episode is contrasted beautifully to his fall at its ending.
 
His arc was engaging, beautiful, and tragic.  More on this in a bit.
 
The Perrin and Egwene side quest also differed from the source material.  Elyas Machera was completely cut at this time—though he may show up later—but I’m glad they still met up with the Tuatha’an.  Aram’s charm is quite the same, but the flirting between him and Egwene was removed.  This timeframe is happening much quicker than in the books, so the breakup with Rand is still fresh.  It makes sense for her to hold her feelings in reserve for now.
 
While Perrin is uncomfortable at first with the idea of the Way of the Leaf, Egwene seems to grasp the core of their beliefs.  Aram scoffs at the idea of a song that brings peace, but one of my favorite lines in this episode is when Egwene looks around the happy, smiling faces in the camp and retorts, “Are you sure you haven’t found it already?”  The music slows and Aram really looks at his companions’s faces.  It’s an amazing scene, so hopeful and uplifting.  I immensely enjoyed every second we shared with the Tinkers.
 
Rand, Mat, and Thom’s journey gets interesting as Thom casts our suspicions on Mat as a possible Dragon.  For those of us who’ve read the books, the corruption from Shaidar Logoth is apparent.  However, the “corruption” of the One Power is shown in a similar way.  I can see how the connection could be made between Logain’s channeling at the beginning of the episode, and the black bile that comes out of Mat towards the middle.  Rand mostly stays in the background, though it’s interesting that he’s able to defuse the situation with the Grinwells so easily.  Thom would have been my first candidate for reading the signs of Master Grinwell’s posture.  Perhaps this is Rand moving the Pattern more than just a regular ta’veren would?
 
The buildup of tension between Nynaeve and Lan made up the best pieces of this episode.  Their relationship has been laid out so satisfactorily up to this point.  Lan underestimated her twice—first thinking she couldn’t track him, then dismissing the knife she held to his throat and trying to call her bluff.  She’s surprising him and I like how organically the chemistry between them grows.  When she watches him offer to a prayer for Malkier and the Seven Towers, we see a moment of vulnerability.  She shows him a prayer she says but admits she doesn’t know the meaning.  She stopped saying it because the people of the Two Rivers “don’t go to a Wisdom for ignorance.”  When Lan can give her the translation of her prayer, the emotion is clear on her face.  She’s letting down her walls of hostility and fear.  She’s feeling safe with him.  I’m super upset we didn’t get to hear Lan’s complete thought of how she’s exactly as he expected.  I hope that will come later.
 
Moiraine is surprising in this episode because she thinks—however briefly—that Logain might be the Dragon.  I love the depth of her character here.  She is able to hear new information, process it, and take the steps needed to find out the truth.  Very reminiscent of a Brown Sister, or maybe a White.  The complexity of her emotions is so engaging and so well done.  I love when she confronts Logain and actually listens to his reasoning.  I really believe she would have followed him if he’d answered the questions correctly.  But alas, Logain is not the Dragon.  His downfall here was so sad.  He’s been shown to be so confident and capable, so seeing the power ripped from him, tears in his eyes, saying with overwhelming awe, “Like a raging sun,” broke my heart. 
 
This whole scene was my favorite of the series so far.  Nynaeve’s moment of vulnerability left her in a state of emotional upheaval.  When Logain’s attack sliced Lan’s throat, Nynaeve understandably snaps.  I’m wondering if she’ll have an anger block like in the books, because it wasn’t anger that made her channel, it was desperation.  Nynaeve has been raised by the old Wisdom to be the Wisdom, who we know can’t marry or have children.  She probably never went through typical adolescent infatuation, or if she did, it may have been one-sided.  Now, here is a man who sees her as she is—strong, fierce, brave, determined—and he flirts right back.  To think she’d lose that after just finding it is devastating. 
 
I’ve cried every time I’ve watched this scene.  There are so many levels of feelings.  The awe for Nynaeve, the sadness for Logain, the sense of loss for Kerene.  This is the most perfect scene and I'm hopeful it will soothe a lot of book-fans.  Yes, there are changes, but they can be equally as awesome.
 
I cannot wait to see the ramifications of this episode.  How will Mat and Rand get on without Thom?  How far will Egwene and Perrin go with the Tinkers?  What penance will the Aes Sedai pay for gentling Logain outside the Tower?  How will Nynaeve deal with this new Power inside her?
 
Episode 5, “Blood Calls Blood,” premieres next Friday.  I hope some of our questions are answered.
 
What was your favorite part of “The Dragon Reborn”?  Let me know in the comments below.
  • Teaser Paragraph:

    "The Dragon Reborn," Season 1, Episode 4 of the Amazon Prime Video Wheel of Time television show, has some amazing ups and downs as the characters scramble to find out where they fit in the Pattern.

Mashiara Sedai
Join Dragonmount on Nov 26th at 5pm PT for a live Twitter watch party of Episode 4: The Dragon Reborn!
 
Start the episode at 5 pm and follow along for our commentary and insights.
 
Then watch our live stream with Jason and Kathy as they dive into a spoiler filled discussion of Episode 4! You’ll find the livestream on Twitter, Facebook, Instagram and Youtube.
 
Update: Thanks everyone for joining us! Here's a link to the Twitter thread and to the video stream that followed immediately after. 
 
 
 
 
  • Teaser Paragraph:

    Join us on November 26th as we watch Episode 4: The Dragon Reborn!

Katy Sedai
Adam Whitehead is Dragonmount's TV blogger. Adam has been writing about film and television, The Wheel of Time, and other genre fiction for over fifteen years, and was a finalist for the Hugo Award for Best Fan Writer in 2020. Be sure to check out his websites, The Wertzone and Atlas of Ice and Fire (including The Wheel of Time Atlas!) as well as his Patreon.
 
It’s finally happened. The balloon has gone up, the Eagle has landed and the hounds have been released. The first three episodes of Wheel of Time hit Amazon Prime Television on 19 November after an intense two-month period of trailers, sneak peaks and featurettes, culminating in multiple premiere events at cities across the USA and several in Europe.
 
A question was by what standards would Amazon judge the show to be a success and if the show would hit those metrics. Streamers can be notoriously opaque about such things, although it also feels like there’s been a concerted effort recently by the likes of Netflix to deliver more data on how successful a show has been.
 
Amazon made a surprising early statement on the show’s success yesterday, when Amazon Studios head Jennifer Salke discussed the situation with industry bible Deadline. Salke was clearly delighted with the show’s early going, discussing the following points:
 
The Wheel of Time is the most-watched Amazon series premiere of 2021, beating other high-profile shows including Invincible, Clarkson’s Farm, I Know What You Did Last Summer and The Underground Railroad. According to third-party company TV-I, The Wheel of Time was the #1 TV show through social media engagement last weekend and is the biggest Amazon Original series on social media this year. The Wheel of Time is one of the “Top 5 series launches of all time for Prime Video,” a list which includes shows such as The Grand Tour and The Marvelous Mrs. Maisel. The show had “tens and tens of millions of streams” in its first three days of release. The show has been most popular in the USA, India, Brazil, Canada, France and Germany. According to Parrot Analytics, The Wheel of Time has had Prime Video’s biggest opening since the Season 2 premieres of The Boys and Mirzapur in late 2019. Their analysis indicates that The Wheel of Time’s debut has outpaced that of The Witcher’s on Netflix in 2019 for global pre-release demand. Most importantly, Salke has said that the show is “trending to exceed our expectations, which were high.” Despite recent rumours to the contrary, Amazon have not yet renewed Wheel of Time for a third season. The second season is more than halfway done shooting in the Czech Republic (with additional location filming expected shortly in Morocco) but filming is expected to continue until spring, and the first season still has another five weeks to air, which will give Amazon more data about which to make a decision. However, The Wheel of Time’s success so far means that Salke and Amazon “have a good feeling the show will go on for years and years.” The success of Wheel of Time has left Amazon feeling buoyant for the release of their Lord of the Rings prequel series in September 2022 and also made them feel confident enough to announce that a TV series based on the Mass Effect video game franchise is also now in early development (though not greenlit yet).  
Amazon’s metrics for the success of The Wheel of Time – or any of their original programming – are interesting, and different from the old network model which required the maximum number of eyes on the screen to sell advertising. The main thing Amazon will be looking for is new sign-ups: if people were not Amazon Prime members beforehand, but they sign up and the very first thing they watch is The Wheel of Time, that’s counted as a major success and makes a renewal or continuation of the show much more likely. This is why it’s important that the show gets a place in the cultural conversation: Netflix shows like The Witcher, Bridgerton, Stranger Things and, most recently, Squid Game and Arcane have been judged to be hits because they’ve driven lots of new subscriptions. Amazon have likewise judged shows like The Marvelous Mrs. Maisel (and its impressive Emmy haul) and The Boys to be major successes because people sign up ahead of the new season of each show to watch it.
 
Amazon does have other metrics for success they will be looking at. People who watch The Wheel of Time and then buy merchandise related to the property on Amazon, or start buying the books via Amazon or reading them via Kindle, will factor in as well.
 
Critical acclaim is of course desirable, but less important than these other forms of success. Wheel of Time had a bumpy launch window, with fairly evenly split critics, but over the weekend a slew of more positive reviews drove up the Rotten Tomatoes score to 73%, ahead of the critical response for The Witcher’s first season (68%), with the possibility of further changes depending on the reception to the remaining episodes.
 
It is, of course, still early days overall, but The Wheel of Time’s early performance bodes well for the show to continue for many years to come.
 
As usual, please continue to follow developments on our casting and news pages and the forum and stay tuned for more info as we get it.
  • Teaser Paragraph:

    The show is out, but how happy are Amazon with the early performance?

Werthead
Aleksandra (Ola) Hill is a Polish-Canadian writer and the founder and editor-in-chief of khōréō, a magazine of speculative fiction by immigrant and diaspora writers. She won the grand prize in the 2019 Writer’s Digest Popular Fiction Awards and is currently pursuing an MFA in writing at The New School. You can find her on Twitter at @_aleksandrahill.
 
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TL; DR: A Marvellous Light is a delightful Edwardian fantasy and the first in a series. Centered around a murder and a mysterious curse and heavily interspersed with both humour and steamy scenes, it’s perfect for fans of Sorcerer to the Crown, Magic for Liars, and Silver in the Wood.  
 
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A Marvellous Light by Freya Marske is set in Edwardian England where magic exists, but is a secret kept by those who can use it. Robin Blyth—decidedly not a magician—is thrust into what seems to be a dead-end government job as a minor act of social revenge, only to learn that he has become a liaison between the magical and non-magical worlds since his predecessor disappeared two weeks before. It is there he meets Edwin Courcey, a gentleman from a long magical line who has very little power for himself. When Robin is cursed by a man wearing a mask made of shadows, Edwin takes it upon himself to lift it before it’s too late. 
 
There are dozens of books set in some historical version of England, so starting this story can feel like donning a particularly cozy sweater that you’ve owned for many years. While there’s a certain delight in familiar tropes, it can be hard to make these kinds of stories feel fresh. What really sold me on this particular one was the way magic is described in the books. Using it relies on “cradling” one’s spells using one’s hands. Children learn to do this using string, much like one might play a game like cat’s cradle; most adults dispense with the aid. The imagery of this made me think very much of a “modern” version of channeling that one sees in The Wheel of Time. The system itself is relatively soft, with many open questions and unknowns, but there’s a decided academic bent to it: I would love, for example, to see an illustration of the system of notation used to communicate these spells.
 
I would also kill to be able to see the murderous hedge maze in the flesh. But not, you know, be murdered by it. That’s no fun.
 
The magic is immersive partially because of how mundane it is. That isn’t to say that we only see individuals stirring their coffee with a levitating spoon in the book (though that does happen); rather, throughout the course of the novel, we get to see the inventiveness of magicians in all aspects of life, whether it’s home security or afternoon games for rich young adults with nothing better to do. There’s a constant feeling of play within the magic that makes it feel a million times more desirable to me.
 
Interestingly, contracts and consent also play a large role in the magic system. To start, humans have been able to do magic due to a contract that’s been passed down through generations (which brings up a fascinating question around the distribution of magic: why do some children receive more magic than others, and some none at all?). But magic itself also has contractual constructs within it. For example, having a pen write by itself requires imbuing the pen with the desire to be helpful and setting out the terms and parameters of the spell; every spell seems to be a negotiation of sorts. A family setting up a home can also make a blood bond with the land using similar terms, asking it to accept them and receiving certain protections in return. Given Britain’s history of colonialism, this makes for an interesting perspective on what it means to have and own land as a magician and would certainly make for interesting inheritance-related shenanigans (could I run over to a friend’s house and claim it for my own if the land liked me better?). 
 
This constant focus on contracts and agreement also makes it feel utterly natural that Edwin is a particularly thoughtful romantic lead when it comes to consent. I don’t read a lot of romance, so I don’t have a strong understanding how writers have treated consent in the past, but I did appreciate how Edwin always checks for enthusiastic consent in a way that never intrudes on the scene or makes it any less steamy (I’d argue that the anticipation only adds to the effect, actually). 
 
On the note of romance: this book is heavy on romance, to an extent that I didn’t quite expect from the marketing, and there are scenes that made me double check that no one was reading over my shoulder on the subway. It certainly wasn’t a drawback for me—I loved every moment of Edwin and Robin’s growing relationship almost (but certainly not quite) as much as I loved Nynaeve and Lan’s storyline in Wheel of Time. A nerd and a himbo, an introvert and an extrovert, a magician and a non-magician—they balance each other out marvelously well on the page. The tenderness with which they treat each other’s differences is also particularly well rendered. One line that particularly struck me:
 
“You are the most fascinating thing in this beautiful house. I’d like to introduce my fists to whoever taught you to stop talking about the things that interest you.”
 
I don’t think I’m the only one on this site who grew up loving something (like, say, a book series that’s just now becoming a TV show) and being shut down from talking about it, so hearing someone say this—even if it was a fictional character, even if it wasn’t to me—was a balm. With all this said, however: the focus of the book lies equally on them as it does the mystery of the murder and the curse, so if you’re looking for just the latter with none of the former, this might not be the right book for you. 
 
In sum, I read this book in two sittings and wish I had the luxury to do it in one (it would’ve been if the past few weeks hadn’t been a hellish chorus of responsibilities all coming to a head). The combination of mystery, magic, and romance was utterly enthralling and perfect for the exhaustion brought on by the end of the year/everlasting pandemic. I recommend this book heartily to anyone who enjoys historical fantasy or magical mysteries, or who is looking for a steamy queer romance. It combines the humour of Sorcerer to the Crown with the academic overtones of Magic for Liars and combination of romance and magic of Silver in the Wood.  
 
A Marvellous Light is available in the Dragonmount eBook store. Find it here!
 
  • Teaser Paragraph:

    TL; DR: A Marvellous Light is a delightful Edwardian fantasy and the first in a series. Centered around a murder and a mysterious curse and heavily interspersed with both humour and steamy scenes, it’s perfect for fans of Sorcerer to the Crown, Magic for Liars, and Silver in the Wood.  

Ola Aleksandra Hill
Yesterday, Amazon Prime Video released the first three episodes of The Wheel of Time television show.  Along with this new, official content, Dragonmount is covering these episodes across all media formats.
 
You can read chapter summaries of the first three episodes, and future episodes will be updated as the series continues.
“Leavetaking”
“Shadow’s Waiting”
“A Place of Safety”
 
We’ve posted several spoiler-free content leading up to release day, but now you can read our full-spoiler reviews.
“Leavetaking”
“Shadow’s Waiting”
“A Place of Safety”
 
Dragonmount: The Wheel of Time Podcast has new episodes, one for each of the three television shows.
“Leavetaking”
“Shadow’s Waiting”
“A Place of Safety”
 
And we had an Instagram live session today talking with fans and each other about the books, the show, and anything in between.
 
 
 
We are all so excited to engage with this new content and with fans—old and new.  You can follow us on Facebook, Twitter, Instagram, YouTube, and TikTok to keep up to date with all things Wheel of Time. 
 
What was your favorite part of the first three episodes, and why was it Daniel Henney in the bathtub?  Let us know in the comments below!
  • Teaser Paragraph:

    Check out Dragonmount's full-spoiler content across the media streams.

Mashiara Sedai
Adam Whitehead is Dragonmount's TV blogger. Adam has been writing about film and television, The Wheel of Time, and other genre fiction for over fifteen years, and was a finalist for the Hugo Award for Best Fan Writer in 2020. Be sure to check out his websites, The Wertzone and Atlas of Ice and Fire (including The Wheel of Time Atlas!) as well as his Patreon.
 
I started reading Robert Jordan’s Wheel of Time novels in 1996. A quarter of a century later, I sat down at the IMAX in Waterloo, London to watch the first episode of Amazon’s lavish TV adaptation of the series.
 
The weight of expectation is strong here. I saw The Fellowship of the Ring only five years after reading the book, and the first episode of Game of Thrones just over a decade after reading the first book in that series. But Wheel of Time has been part of my literary background for a lot longer. Can the adaptation - any adaptation - survive the weight of expectation that is thrust upon it?
 
The answer is “maybe,” and Rafe Judkins and his team have not aimed at a close or literal adaptation of the source material which attempts to replicate the novels line-by-line. Fortunately, it’s not an ultra-loose “inspired by the source material but also not really” kind of adaptation as we’ve seen recently with BBC America’s The Watch (where any similarities with Terry Pratchett’s Discworld novels are more by coincidence than design) or Apple TV+’s speculative take on Isaac Asimov’s Foundation novels.
 
The Wheel of Time instead charts an interesting middle ground, with some scenes directly lifted from the books - and certainly each major plot beat is lifted from the source material - and others invented to flesh out character background and motivation. In many cases these changes are improvements for the visual medium: rather than hear about the enigmatic matriarchal rituals of the Women’s Circle, we see one firsthand. Instead of hearing about Mat being a chancer and gambler, we see him playing dice. And instead of Rand and Egwene agonising over whether they want to be in a relationship or not, we see them debating about whether to continue a pre-existing relationship, which raises the stakes. The most controversial change is with Perrin: a young bachelor in the books, the show opens with him as a married man, albeit one whose relationship seems to be having its own issues. These changes help make the characters distinct rather than being similar young, single men, with their differences in character and temperament only emerging over time.
 
The most surprising thing about the first episode is how Judkins (who wrote this instalment) allows the episode to breathe. Over the course of an hour, he sets up the Aes Sedai, the curse of men who find they can channel the One Power, and the power dynamics and relationships within the village of Emond’s Field (which goes curiously unnamed, with all references being to the wider region of the Two Rivers). We explore Rand’s relationship with his father Tam, see Nynaeve’s sense of conflict at being both part of the community and, as Wisdom, outside of it, and that Mat has a problem with gambling. Another controversial choice is to make Mat’s parents troubled wastrels, with Mat showing signs of being a better man (doting on his sisters and ensuring their wellbeing) but also falling into the same temptations (as he likes a drink and a wager, but is not very good at mixing the two). I can see why these changes were made, to deepen and complicate the characters, but also the argument that these changes may veer on the cliche (and, in Perrin's case, indulging the tiresome fridging trope). Still, the measured introduction and dedication to the show’s worldbuilding and character relationships is a relief given fears that the show would have to blast through the major plot elements to get the story told in just eight short seasons. Whilst the slower start may compromise how much story can be told later on, it works very much in giving a good first impression of a show that cares about its characters, their relationships and making sure the audience can follow what’s going on. The show even strengthens book relationships, by giving Nynaeve much more of a reason to be angry at Moiraine, when the latter plays Columbo and manipulates Nynaeve into giving away invasive personal information just so she can work out her age.
 
The show’s visual design is sumptuous, with excellent set design and some breathtaking location shooting in the Czech Republic and Slovenia. Shots of Rand and Tam descending a mountain pass with their horse and cart, or Moiraine and Lan riding across the landscape, recall the epic vistas of The Fellowship of the Ring. The show replicates the book’s evocation of Tolkien without copying him outright, though a few moments come close: Padan Fain riding into town with a gaggle of children chasing his cart will have you waiting for the fireworks to fly out.
 
The Wheel of Time is a large and complicated story set in a large and complicated world, but the first novel, The Eye of the World, does a good job of easing readers into the setting. Judkins’ first episode does the same thing, with some elegant ways of getting worldbuilding info to the audience: rather than bald exposition about the dangers of men who can channel, the episode opens with a coterie of Red Sisters led by Liandrin hunting down two men who can channel...but in reality, it’s only one, the other a figment of his increasingly deranged imagination. A quiet Bel Tine scene has the villagers honouring the spirits of the departed, but knowing they will one day be reborn through the weavings of the Wheel, telling us this world is more a place of spiritual ideology and philosophy than religion as we know it.
 
The quiet worldbuilding of the early going is soon offset by an impending sense of dread. Moiraine and Lan’s arrival lets us and the villagers know that Trouble is Afoot, and even an unexpected bath scene which out-Witchers the infamous tub scene from The Witcher (featuring an, I’m assured, charismatic performance by Daniel Henney as Lan) cannot lessen the feeling of doom which builds excellently in the latter third of the episode. This culminates in the infamous Trolloc attack on the village on Winternight, with a dozen of the huge beasts (realised through a near-flawless mixture of prosthetics and CGI) running amok. In a nod to the varied origins of the creatures, we see wolf-headed Trollocs attacking upright but also dropping to all fours for greater speed or mobility (though that's where the CG can occasionally creak). At first the attack is a massacre, but the Two Rivers folk soon show their steel, with the Coplins and Congars putting their differences aside to bring down one of the creatures with pikes and staffs, whilst Perrin and his wife Laila fight off an interloping band into their forge with a mixture of hammers and axes. The best bit of fight choreography comes when Tam al’Thor shows his blademaster prowess by fighting off the presumed Narg in his farm.  Book purists will weep to learn that Narg’s dialogue has been removed from the show, but this is probably for the best given how incongruous it is with later Trolloc behaviour.
 
The show finally lets loose by showing what it is capable of when Moiraine unleashes the One Power in the defence of the village. She uses Air to hurl Trollocs through the air with bone-snapping force, Fire to blast the enemy into ash and Earth to rip the ground apart around them. When the Trollocs are finally ready to overwhelm her, she uses a tornado to tear half the village apart and blast the Trollocs with a storm of masonry. It’s as impressive an action sequence as ever put on TV cameras, helped by most of the fighting and a lot of the reaction shots being done in-camera, with CGI being resolved only for specific moments that would be impossible to realise otherwise. Watching this scene in IMAX with a powerful sound system realising every explosion and scream was absurdly overwhelming. I have to confess to mixed feelings on the collateral damage: Moiraine literally tears the Winespring Inn apart to destroy the attacking Trolloc horde, and it’s unclear if she knew there was anyone inside. A scene from the second episode hints at a possible change to the Three Oaths: Moiraine indicates she can kill people inadvertently if she does not 100% know they are there or that will happen, as opposed to the books where it feels like Aes Sedai can’t channel destructive weaves indiscriminately if there’s even a chance an innocent might die in the crossfire. Whether this is a deliberate change or Moiraine was able to ascertain via some application of the Power that no innocents were in the firing line remains to be seen.
 
After that storm of battle, the episode ends with a coda: Moiraine telling Egwene, Rand, Mat and Perrin that the Dragon has been Reborn, and it’s one of the four of them. She has to take them out of the Two Rivers quickly to draw off the Shadowspawn pursuers before they return. This is an awkward scene because it conveniently gives the youngsters and Moiraine no time to check with their parents about the circumstances of their birth or arrival, otherwise the mystery of whom the Dragon Reborn is would die a quick death. However, it does give us that iconic final shot of the team leaving the Two Rivers with the Trolloc army on their heels, as Moiraine gives us the classic catechism and Lorne Balfe’s music stirs.
 
The first episode is a lot to take in, and purists will likely decry everything from Rand and Tam’s farm being moved (from the Westwood to a mountainous perch not far from town) to Two Rivers not being quite as cut off as in the books (there’s now an open road leading south to Ghealdan) and the insinuation that Egwene is both a ta’veren and a candidate to be the Dragon Reborn. Those more willing to accept changes for the visual medium will find much that is rewarding. The most surprising and welcome thing is that the episode doesn’t cut to the chase of explosions and battles ASAP, but spends a leisurely 40+ minutes building up characters, relationships and the world before bringing on the Shadowspawn. The vfx scenes have been hogging the attention in trailers, but it’s the quieter moments where the show sings: Tam and Rand grieving the loss of Kari, Egwene being accepted among the women of the town, Mat scrambling to afford a Bel Tine present for his sisters, and the villagers coming together to pay respects to the souls of the dead in a ceremony that seems to move even the stoic Moiraine. Lorne Balfe’s score particularly plays well in these quieter scenes and moments, though the music mix is perhaps a little too low in the released version (it was more noticeable in the IMAX).
 
Performances are uniformly excellent, with Rosamund Pike and Daniel Henney providing real gravitas and skill as Moiraine and Lan, and Michael McElhatton convincingly going from Worst Dad Ever in Game of Thrones to Best Dad Ever here. But the youngsters also prove their mettle: Barney Harris simply walks Mat out from the page and onto the screen, Madeleine Madden has impressive screen presence and Zoë Robins excels at portraying Nynaeve's sense of responsibility and care for the rest of the community, but also her loneliness. Marcus Rutherford and Josha Stradowski are lower-key presences at this point, but so are Perrin and Rand at this point in the novel (Mat somehow manages to steal scenes when he's not even the POV character), and what we see here is promising.
 
There are problems, and some of them feel a bit of a non sequitur at this point: the changes to Perrin don’t seem to add much to his character (especially given his limited ability to react to them in the two succeeding episodes); Padan Fain feels like a random addition to the series at this point; and the final scene where everyone has to leave abruptly without any time for exchanging seemingly vital plot and character information is somewhat contrived. The first preview scene from the episode, where Lan and Moiraine arrive in the village at night, is also awkwardly shot and paced. But beyond those scenes, Leavetakings does what it needs to do: it sets up the story in an interesting manner and leaves the viewer wanting to see more.
 
 
 As usual, follow our casting and news pages, and let us know what you think of the latest developments.
 
  • Teaser Paragraph:

    Wheel of Time has been part of my literary background for a quarter of a century. Can the adaptation - any adaptation - survive the weight of expectation that is thrust upon it, especially the very first episode?

Werthead
Thom DeSimone was a fan of The Wheel of Time long before he was first tagged to be part of the ‘official’ fandom as a Director at JordanCon, a literary convention themed for The Wheel of Time. Which is where he met the illustrious leader of Dragonmount, Jason Denzel, and the rest is as they say…history.
 
(Note from the editor: You can see Thom in action on Dragonmount’s Wheel of Time Community Show!)
 
A wind blew down from the mountains of mist...and carried with it the acrid smell of wood smoke.
 
That is due to the fact that at the open of Episode 2 ‘Shadows Waiting,’ of Amazon Prime Video's sure to be mega hit series The Wheel of Time, Eamon Valda, played by the amazingly talented Abdul Salis, is sinfully snacking on a small song bird as an Aes Sedai is burned alive. (See Ortolan Bunting)
 
I want to mention in particular the Whitecloaks in this episode because Abdul Salis’ performance as Eamon Vlada is STELLAR. You just LOVE to hate his character. For my Harry Potter fans out there, he is throwing off series Dolores Umbridge vibes.
 
In the pages of Robert Jordan's Wheel of Time the Whitecloaks are a military order with a blinding level of fanaticism dedicated to their own view of what it means to "walk in the Light." This group most resembles that of real life Knights Templar, a dash of the Spanish Inquisition, and topped off with the Klu-Klux-Klan.
 
Amongst lines of pristine white canvas tents that are only out shone by the gleaming white armor and dress of the Whitecloaks themselves an Aes Sedai of the Yellow Ajah, whose hands were recently removed, is tied to a pole set above a recently kindled fire.
 
The Whitecloaks of the books are, for the most part, buffoons and pose little to no threat throughout the series to the Aes Sedai or the main characters. It seems Rafe Judkins and the writing staff are setting up the Whitecloaks, to be much more of a threat.
 
This move up the ladder for the Whitecloaks sets up much more interesting story implications for Perrin in particular later on. I am interested in seeing where it goes.
 
Our next encounter with this particular batch of literary human garbage is when they cross paths with our heroes.

At first it seemed like a good cop, and bad cop routine from Geofram Bornhold and Valda’s interaction with Moiraine and Lan, but after seeing their exchange as they part ways it really plays up an internal conflict with the Questioners and the Whitecloak regulars. Which is really driven home by Bornhold's earlier instruction to Moiraine to seek Aes Sedai healing for the wound caused by the Trolloc blade.

Here I always imagined the Whitecloaks would choose death, over being touched by the one power. For themselves… or anyone really. This I feel sets up an interesting dynamic and plot for later interactions.

Though I would love to talk about the Whitecloaks and the comeuppance I am sure they will receive from Moiraine and the Aes Sedai, I want to get to the ‘meat and potatoes’ of this episode, which of course are…rules. Oh you thought I was going to say Shadar Logoth. Nope. I want to talk about the rules, limitations and expectations the writers are building and breaking for us as the viewers.
 
Best displayed by what we learn of the Aes Sedai, the One power and Moiraine herself in this episode. 
 
Are the Aes Sedai Healers? As seen in Moiraine healing the sick and injured after the events of Winternight.
 
Are they monsters? Though we want to think they are given this moniker by the Whitecloaks for no reason.
 
Moiraine does essentially tear down the Winespring Inn and sink a ferry, in so doing, kill the ferryman who only wanted to save his family. A necessary evil? I think so, but nonetheless questionable. Moiraine, master manipulator she is, then leads Eqwene through the events. having her come to the same conclusion herself.
 
Objection! Leading the witness!

Moiraine made a choice between the lesser of two evils. Which is still kinda evil?
 
Not only are viewers maybe now questioning the Aes Sedai’s intent, but we also see other limitations built around them, via their ‘Three Oaths’ and to the One Power itself.
 
Aes Sedai, and as far as we know as viewers at this point, all users of the One Power, cannot heal themselves. Also, they cannot channel the One Power if you remove the users hands, as displayed by the Sister being burned at the stake earlier not tearing the entire Whitecloak camp apart. (Personally, I think this is a set up for later, when we find out that this is only due to the fact that this is the way Aes Sedai are taught/believe the One Power works. I’m sure it will be a fun surprise when we learn Aiel and other Channelers manipulate the Power in as many different ways as there are people in the world.)
 
Ok now yes we will talk about Shadar Logoth or, as this episode is titled ‘Shadows Waiting.’ For those who have read the books, yes, there are many differences between Amazon’s depiction of the city and what occurs with the party inside to that of the book.

Though the results are the same, we learn of a corruption brought on not by the Dark One, though feared by its minions. A corruption born of very human failings. Greed, isolationism, and nationalism, which can all really be summed up as selfishness. Mashadar manifests as a creeping shadow in this adaptation but is no less terrifying and deadly. A major difference here is the absence of ‘Mordeth’ who was a physical manifestation of the corruption that permeates the city.
 
Personally, I think a sentient Mashadar still exists. How else do you explain Mr. Cauthon being lured to a dagger? More on this in a minute.

Just before Mashadar leads Mat by the nose into a dark corridor and to the very thing he is just recently lacking, a dagger. We hear whistling. Which is eerily similar to the whistling we hear leading into our first meeting with Padan Fain in the previous episode (and several other times throughout these first two episodes). This I believe is a set up from the showrunner for a later flashback of Padan Fain in the ruined city himself possibly meeting Mordeth or at least being ‘touched’ by Mashadar, aka the corruption of Shadar Logoth.
 
Ok now back to Mat gifting his dagger to Perrin. This particular scene is poignant to me in that it gives us a deeper understanding of the loving relationship between the Emond’s Fielders. Mat essentially tells Perrin he loves him by giving this dagger. By way of the back story of how he go the dagger from Laila. As she made said dagger for Mat to ‘protect someone he loves’ and it seems Mat thinks this promise is fulfilled by giving Perrin this dagger. IE he loves Perrin.

This type of loving relationship between male characters in entertainment at all, let alone fantasy, is a breath of fresh air. It’s something that has been lacking for many years. Amazon Prime Video’s the Wheel of Time seems to be doing away with the toxic masculine tropes of the past, and I could not be happier. Hopefully it does not end there.
 
Of course, the rest of the sequence within the ruined cities walls are the separation of the party and a chase through the streets.

But it is the final scene in this episode that is this blogger’s favorite!

A knife to the throat of al’Lan Mandragoran with Nynaeve al’Mera at the other end fully ready to end his life to protect her people.

Zoë Robins is AMAZING, Nynaeve is the perfect character for her and I CANNOT wait to see Zoe crush some of the things that goes on later in the series!
  • Teaser Paragraph:

    Thom DeSimone gives a full-spoiler review of Amazon Prime Video's The Wheel of Time television series, Season 1, Episode 2, "Shadow's Waiting."

Thom DeSimone
REVIEW: Episode 103: A Place of Safety
 
To bring epic fantasy adaptations to life, carefully chosen edits must be made. There is a heavy weight of responsibility on Rafe Judkins and his team with The Wheel of Time. Our fanbase is one full of passion and entrenched with heavy expectations. To those of us initiated we know these characters better than ourselves. I encourage fans new to The Wheel of Time to dive in and join the longtime fans in the world of Robert Jordan’s creation. With all of us aware that the story we see before us is just yet another turning of the Wheel: “There are neither beginnings nor endings to the turning of the Wheel.”
 
Episode three, “A Place of Safety” of The Wheel of Time series by Amazon Prime Video delivers nearly an hour of epic journeys all of which point east towards Tar Valon and the White Tower. They have all escaped the clutches of Shadar Logoth and are scattered to the wind. In a shocking surprise Nynaeve al’Meara has emerged as my favorite heroine. The performance Zoë Robins delivers is fierce and convincing, but it is the subtle changes made to her story that makes Nynaeve shine. While book purists may decry the changes, I insist that in Nynaeve’s case they have only made her stronger; I harken back to episode one “Leavetaking” as she stands with her hand on her knife when the strangers arrive. For character development’s sake they ramp up her hatred for the Aes Sedai, using her former Wisdom and surrogate mothers’ dismissal from the White Tower to draw a hard line between us and them. In episode three the visual representation of Nynaeve’s strength as she escapes her trolloc captor was breathtaking. In the span of only hours her village has been attacked by beasts she had likely believed were only a myth, she had seen her people slaughtered and watched as everything around her was consumed by blood and fire. As a capstone to her induction into her new reality, she is knocked unconscious and headed for death in a trolloc’s belly. Yet, when faced with a situation that would have many giving up or paralyzed with fear she fought on. Not only to save her own life, but to carry on and save her friends.
 
Nynaeve made use of the sacred pool to save her own life. While we do not yet know its intended use, it is a place of great importance and leant its strength to Nynaeve once again as she hid in its depths and used the trolloc’s own blade to end its life. As the camera pans out, we see the blood filling the pool and resolving into the shape of a Dragon’s Fang. Much like we saw the slaughtered sheep arranged as the Dragon’s Fang in episode one, it is another subtle reminder that the Two Rivers companions are being hunted by the dark. Up to this point we have not learned the true power of the Dark One’s reach, but there are subtle clues if you know where to look.
 
The largest representation of his strength is seen at the end of the episode when Dana (Izuka Hoyle) is revealed to be a darkfriend and Thom (Alexandre Willaume) gives us clues to what that means. Izuka Hoyle’s performance was the standout in the episode for me. There is a massive amount of character development that takes place during her time on screen. The writing is meant to make us feel for her plight, stuck in the mining town where she was born and likely will die, but it is the fervor with which she delivers her diatribe to Rand and Mat that had me kicking my heels with excitement. Her death was necessary to allow our pair to escape, but I was crushed that we will not see the crazed light in her eyes again.
 
One theme that we see delivered again and again is the commitment and loyalty the Two Rivers folk have to each other. Both Rand and Egwene, though separated by miles, each have the desire to make sure that the other is okay. Their relationship may be in shambles, but their love and loyalty are still strong. Even Mat who waivered the most in his desire to abandon their quest to the White Tower and return home, sticks with it when the road gets rough. If they stick to the source material, the themes of loyalty and obligation will be repeated again and again. 
 
Due to the extensive travel that takes place in “A Place of Safety” I feel that in this episode the world truly begins to expand. We start to see more of the people who inhabit the land outside the Two Rivers, with heavy handed hints of even more to come. World building on this scale must be a challenge and some of the information felt a bit forced. Such as when Thom explains to Mat more about the Aiel. The most egregious information dump happens when Perrin and Egwene meet the Tinkers. This story is highly altered from how it takes place in the book and as of yet I do not understand the why. There is an intermediary in the books who guides Perrin and Egwene instead of the wolves alone. 
 
The Tinkers, or the Traveling People are a band of pacificists and wanderers who believe that everyone should do no harm. As I read the books, they always gave me hippie vibes. They were one with nature, vegetarians who wore brightly colored clothes and welcomed everyone to their fires. Never settling in one place for too long. Their way of life was known to be intoxicating to children and youth, which was why most villages and towns didn’t not welcome them near their borders. Even in the secluded Two Rivers they had heard rumors of the Tuatha’an. This is not the case in this turning of the wheel. Visually the Tinkers are ‘darker’ than I had pictured. Their colors are more muted and their demeanor more reserved and less jovial. Perrin and Egwene have also not heard of them, and it is Aram’s (Daryl McCormack) forced telling that felt out of place. Their lack of preconceived notions seems like an interesting omission. The only conclusion I can draw is that they are attempting to illustrate how isolated the Two Rivers folk were before beginning their journey. With so much history and lore to get across on screen there are bound to be a few stumbles such as this along the way. It was not enough to bring me out of the world.  
 
So much of this episode is building for what is to come. We are being led through a world of Jordan’s creation as seen through Rafe Judkins eyes. I can see that he is trying to share with us the Power of women and the strength that can be taken when relying on others. The question that kept coming up for me is, “Who can we trust?”  
 
We know that Moiraine can speak no word that is untrue, but she never says what she intends to do with the potential Dragon reborn when she gets him or her to the White Tower. While Aes Sedai seem more well known to the Two Rivers folk than they were in the novels, the mysteries of what an Aes Sedai can do with the One Power remain a large unknown. She is currently injured and was asleep for most of this episode, but her powers could still be at work. Is it her work that causes the wolves to herd Egwene and Perrin towards the Tuatha’an? Or is it indicative of him being the Dragon? He is the only one we see have another dream this episode. Does the fact that Egwene can channel point to her as the one Moiraine seeks? Rand’s super strength that is showcased as he breaks free of Dana could be an indication that he is the one? Mat feels like the least likely candidate at this point, but we are staring to notice strange behavior from him as well. At this point we only know who the Dragon was, not who or what he or she will be.
 
There is a bomb that drops in the last few moments that seems to shock even our characters to our core. As Dana reveals that she dreams of the FIVE of them, we are led to believe that Nynaeve should also be considered for the Dragon reborn as well. Her expanded strength may mean that she is where our eyes should be pointed in our search to decode who has been reborn as the Dragon in this turning of the Wheel. In future episodes we all need to be careful observers of the clues that are being left for us.
 
The recent revelation that Nynaeve could be the one Moiraine was wanting, even if she does not know it yet, makes the fact that the episode bookends with Nynaeve’s appearance highly appropriate. The last words spoken this episode were delivered by the deliciously smug Liandrin Sedai. “Didn’t you hear? We captured a man calling himself the Dragon Reborn.” This puts the mission Moiraine set out to accomplish; bringing the Dragon reborn to the White Tower so that he can be guided, is in peril, as is her life. Who is this man that Liandrin captured? Book readers will have an idea, for everyone else hold tight. His expanded story line is certain to be something we can all enjoy discovering. If the menacing look in his eye is any indication, he has been captured, but not beaten.
  • Teaser Paragraph:

    Crystal Fritz gives a full-spoiler review of Amazon Prime's Wheel of Time television show, Season 1, Episode 3, "A Place of Safety."

Eqwina
The first three episodes of season 1 of The Wheel of Time from Amazon Prime Video are now available worldwide.
 
The episodes became available moments after midnight GMT. This marks an incredible moment in the franchise's long history. The Eye of the World was published in 1990, with Robert Jordan beginning work on it around 1984. With that time factored in, it took longer than 40 years for the late author's work to finally appear on screen 
 
Dragonmount has extensive coverage for the show. This article will be updated when more content becomes available over the next couple days. 
 
Videos
Red London Premiere Red Carpet event video Season 1 review (spoiler-free, episodes 1-6) Jason & Kathy talk about episodes 1-6 (no spoilers)  Analysis of Episode 101: Leavetaking (Coming November 20) Analysis of Episode 102: Shadow's Waiting (Coming November 20) Analysis of Episode 103: A Place of Safety (Coming November 20)  
Podcasts
Dragonmount recently launched a brand-new podcast focused on the show. Learn more here. 
 
Welcome to Dragonmount! - Introductions A New Turning of the Wheel - (Spoiler-free discussion of episodes 1-6) Discussion of Episode 101: Leavetaking (Coming November 20) Discussion of Episode 102: Shadow's Waiting (Coming November 20) Discussion of Episode 103: A Place of Safety (Coming November 20)  
Written Reviews
Episode 101: Leavetaking (Coming November 20) Episode 102: Shadow's Waiting (Coming November 20) Episode 103: A Place of Safety (Coming November 20)  
Written Episode Summaries
Episode 101: Leavetaking (Coming November 20) Episode 102: Shadow's Waiting (Coming November 20) Episode 103: A Place of Safety (Coming November 20)  
As always, full details about The Wheel of Time from Amazon Prime Video can be found on the TV section.
 
After you watch the show, let us know what you think in the comments or on our forums. 
  • Teaser Paragraph:

    The first three episodes of season 1 of The Wheel of Time from Amazon Prime Video are now available worldwide. 

Jason Denzel
What an amazing time to be a Wheel of Time fan!  Amazon Prime Video debuted the first two episodes in select cities yesterday and many fans already got their first view of this new part of fandom life.  For those less fortunate, we do have plenty of content to tide you over until the official release of the first three episodes this Friday, November 19th.
 
First up, Thom DeSimone on The Wheel of Time Community Show has a completely spoiler-free first take of what we’ve been allowed to watch so far.  You can hear his thoughts on the acting, the scenery, the special effects, and more!
 
 
 
And Dragonmount: The Wheel of Time Podcast is back with another episode.  Listen to producer Kathy Campbell, and co-hosts Rajiv Moté and myself, Maureen Carr, talk about the experiences of watching the first six episodes.  This podcast is also spoiler-free, focusing more on our enthusiasm going into this and our belief that this is a new turning of the Wheel, something different from the books.
 

 
Finally, Kathy Campbell and Jason Denzel let themselves unwind after a hectic day at the London premiere.  They shared their experiences on the red carpet and a bit of nostalgia that lingers with a series we all have been reading for so long.
 
 
 
There is a lot more content on the way, so stay up-to-date with all the latest content by following Dragonmount on Facebook, Twitter, Instagram, and YouTube.
 
How will you be watching the series premiere on Friday?  Binge watching?  Group gathering?  Multiply viewings in one day? Let us know in the comments below!
  • Teaser Paragraph:

    Join us for some spoiler-free thoughts on the first six episodes of Amazon Prime Video's The Wheel of Time television show.

Mashiara Sedai
The London premiere of The Wheel of Time TV show from Amazon Prime video is happening today! Dragonmount is proud to being you special live coverage of multiple events as the show premieres at select events in London and across the United States.
 
LONDON PREMIERE
Join Dragonmount founder Jason Denzel, along with producer Kathy Campbell as they stream live from the red carpet in London. Coverage begins around 9:45 AM U.S. Pacific Time (5:45 PM London GMT).
 
Jason and Kathy will live-stream simultaneously to these social media accounts:
 
Dragonmount on Instagram Live @dragonmount_ Dragonmount on YouTube Dragonmount on Facebook Dragonmount on Twitter @dragonmount The Wheel of Time on Facebook Kathy Campbell on Twitter @mrssoup Kathy Campbell on Instagram Live @mrssoup Jason Denzel on Twitter @jasondenzel  
Everything will be recorded and made available later.
 
LOS ANGELES FAN SCREENING
Also, happening later in the day, around 5 PM U.S. Pacific Time, Dragonmount will live stream the Los Angeles Fan Screening on Instagram Live. Kitty Rallo, Thom DeSimone, and Katy Sedai will be on stage to introduce the first two episodes of season 1. If the schedule allows, they will also live stream additional activities associated with the screening such as fan reaction interviews. 

The Wheel of Time premieres on Amazon Prime video on November 19. Visit our TV section of the website for full coverage, and visit our forums to discuss the show. 
  • Teaser Paragraph:

    Join Dragonmount founder Jason Denzel and producer Kathy Campbell as they stream live from the red carpet in London for the world premiere of The Wheel of Time from Amazon Prime video. 

Dragonmount.com
Amazon Prime Video announced today the upcoming release of The Wheel of Time: Origins, a series of animated short films that tell several stories set during the years and centuries before the events of the upcoming TV series. These animated films will be available on November 19, the same day that the first three episodes of season 1 of the show air. The videos will be available via Amazon X-Ray, which can be accessed via the Amazon Prime Video mobile app or the Amazon FireTV device. 
 
Here's the full announcement trailer from Amazon Prime Video:
 
 
The short films are written by Rammy Park, who is also one of the writers on Season 2 of The Wheel of Time show.
 
No other specific information about the films or the animators has been provided yet. From the video above it appears as though some of the stories will focus on the Breaking of the World, the Trolloc Wars, and the fall of Artur Hawkwing. 
 
Are you ready?  What do you think these animated films will focus on? Let us know in the comments! Be sure to follow us on social media and join the discussion on our forums. 
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    Amazon Prime Video announced the upcoming release of The Wheel of Time: Origins, a series of animated short films. 

Jason Denzel
Milan Records announced today the release of a brand new soundtrack album called "The Wheel of Time: The First Turn (Amazon Original Series Soundtrack)" by acclaimed composer Lorne Balfe. It's available now worldwide from a wide assortment of music providers including Apple Music, Spotify, Amazon Music, YouTube, Pandora, and more. Click here for the complete list.
 
This album is the first in a series of four planned soundtrack albums that will be released alongside season 1 of Amazon Prime Video's upcoming show. At next one will become available November 19, 2021, coinciding with the premiere of the TV show's first three episodes. 
 

 
Here's a list of the 14 tracks released as part of The First Turn:
 
Mashithamel (Young Love)      Moiraine Sedai      Ta'maral'ailen (Web of Destiny)      Aes Sedai (Servants of All)      Ost Ninto Shostya (On Your Knees)      Mashiara (Lost Love)      Al'Naito (The Flame)  Al'Cair Sei (Goldeneyes)      Caisen'shar (Old Blood)      Aman Syndai (Dragon Reborn)      Noriv al Zaffid (Two Halves of One Whole)      Al'Dival (For the Light)      Wab'shar (Bonded)      Mordero'Sheen (Bringers of Death)       
Lorne Balfe:
 

 
In addition to the album’s digital release, The First Turn soundtrack will also be made available in both spatial audio and vinyl formats. Available later this in November, the spatial audio version of The First Turn album gives listeners a completely immersive listening experience with 360-degree sound and enhanced clarity. Meanwhile the album’s vinyl edition is set to arrive in 2022. 
 
Did we mention that album is available now to stream? Hurry over and download or stream it now. Take a listen and let us know what you think in the comments or on our forums. 
 
The Wheel of Time will premiere on November 19 on Amazon Prime Video. Be sure to check out our TV section of the website for complete info and coverage. 
  • Teaser Paragraph:

    The first of four soundtracks to The Wheel of Time is now available to stream.

Jason Denzel
Macmillan Audio has released an 8-minute sample of Rosamund Pike reading The Eye of the World. It can be listened to now on Soundcloud:
 
As previously reported, this new recording from Rosamund Pike (who plays Moiraine in the upcoming Amazon Prime Video TV show) will become available on November 16. 
 

 
This new performance of The Eye of the World does not replace the older, more familiar versions read by Michael Kramer and Kate Reading. Those recording will also remain available.  The clear intent behind this new performance is to bring in a new audience of readers to experience the story for the first time.  Roasmund Pike is an experienced and accomplished audiobook reader, having recorded over a dozen titles before this. 
 
The new audiobook can be pre-ordered here on Audible. It's also available on Libro.FM, Apple Books, Google Play Books, and more. 
 
Tell us what you think in the comments, and be sure to join us on our forums and on social media.  
  • Teaser Paragraph:

    Macmillan Audio released an 8-minute sample of Rosamund Pike reading The Eye of the World.

Jason Denzel
Katy is a news contributor for Dragonmount. You can follow her as she shares her thoughts on The Wheel of Time TV Show on Instagram and Twitter @KatySedai
 
The first album for The Wheel of Time Soundtrack will be released on Friday, November 12th. The composer is Lorne Balfe, with production by 14th street music. The album is the first of four total albums with music from the series. The Wheel of Time: The First Turn (Amazon Original Series Soundtrack) will include music that sets the stage for the score heard in the TV series. The 14 songs are described as the principal or key themes based on characters and settings that are the building blocks used to create the music in the series. Composer Lorne Balfe says:
 
 
 Along with the soundtrack announcement, two singles were released from the album including “Mashiara (Lost Love)”  and “Caisen'shar (Old Blood).” Along with “Al'Naito (The Flame)” all the songs have lyrics sung in the Old Tongue.
 
If you want to hear more about the music and the creative process, head over to YouTube and watch Lorne Balfe’s interview with the Matt Hatch of The Dusty Wheel YouTube show.
 
During the interview, Balfe explains that he wrote 18 themes for the TV series, all based on the characters and locations. The sounds we’ve heard so far can be tied to Aes Sedai (Al’Naito), Lan & Nynaeve (Mashiara), and the people of the Two Rivers (Caisen'shar). Balfe describes the lyrics of the songs as a narrative making the music for The Wheel of Time like an opera. The singers on the soundtrack are from around the world, and the music itself leans towards a global sound rather than a traditional fantasy sound.
 
 
During The Dusty Wheel interview fans were also treated to a special listen of a new song inspired by the Whitecloaks theme, which was the basis for the music in the full trailer.
 
Lorne Balfe has also released the Old Tongue lyrics for two of the songs:
 
 
 
The First Turn album will be released on Friday, November 12th, with a spatial audio version later in November, and vinyl editions expected in early 2022.  The Wheel of Time TV series will premiere on Amazon Prime Video on November 19th.
 
To see every promotional video, image, and early preview that Amazon has released so far, check out out our Season 1 Media page.  And be sure to check our TV section of the website. 
 
What do you think of this new music? Let us know in the comments and be sure to join the discussion on our forums. 
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    Information about 4 official soundtrack albums for The Wheel of Time, and two new songs off the album.

Katy Sedai
The Wheel of Time revealed today, via their official social media accounts the following video:
 
This video has been part of a near daily marketing effort to promote the show. This video is part of The Wheel of Time explains series, which has been providing fans with background information on concepts like Aes Sedai, The Two Rivers, and now Warders. Actor Daniel Henney discusses how warders are bodyguards, friends, and confidants of their Aes Sedai. Both Daniel Henney and Rosamund Pike have mentioned the unique relationship between Lan and Moiraine in past interviews, and I can’t wait to see how this special bond will be treated in the show!
 
To see every promotional video, image, and early preview that Amazon has released so far, check out out our Season 1 Media page.  And be sure to check our TV section of the website. 
 
What do you think of this new teaser? Let us know in the comments and be sure to join the discussion on our forums. 
  • Teaser Paragraph:

    Let’s learn about Warders!

Katy Sedai
The Wheel of Time revealed, via their official social media accounts new posters featuring the main cast.
 

 
These new posters are part of a near daily marketing effort to promote the show. The posters show us a close up of each of our main characters along with thread like weaves around each of them. Showrunner Rafe Judkins shared the posters to instagram stories with the comment “The Pattern of an Age is being woven”. The threads on the poster look very similar to the threads on the Moiraine waygate poster, and quite different than the weaves we’ve seen when characters channel the One Power. It’s very likely these are the threads of the pattern in the poster rather than weaves of the One Power.
 

 

 

 

 

 

 

 
 
The posters feature Moiraine, Lan, Nynaeve, Egwene, Perrin, Rand, Mat, and Logain.
 
To see every promotional video, image, and early preview that Amazon has released so far, check out out our Season 1 Media page. And be sure to check our TV section of the website. 
 
What do you think of this new teaser? Let us know in the comments and be sure to join the discussion on our forums. 
  • Teaser Paragraph:

    Check out these new gorgeous posters of our favorite characters!

Katy Sedai